A |
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Art
Deco |
A design style
popular in the 1920s to late 1930s that featured linear, angular and
architectural lines with very few curves. |
Art
Nouveau |
A decorative style
prominent from 1890-1915 and characterized by soft, flowing lines and
the use of natural motifs, especially female figures. |
articulated |
Connected by
flexible joints or segments so that the jewelry piece has movement or
drapes for fit. |
aurora
borealis |
An iridescent
rhinestone effect produced by a treatment with metals. |
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B |
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baguette |
A rectangular cut
stone with narrow proportions, usually faceted but may also be an
unfaceted cabochon. |
Bakelite |
A phenolic resin
patented in 1909 by Leo. H. Baekeland. Popular in the 1920s-1940s,
it was used for whimsical designs in a variety of bright colors. |
bezel
setting |
A setting in which a
strip of the metal is shaped over the edge of the stone to secure it.
May be used with a channel setting. |
bib
necklace |
A necklace with
multiple strands or designed to cover from the neckline down several
inches similar to a bib. |
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C |
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cabochon |
An unfaceted stone
with a flat back, typically round or oval. |
cameo |
A stone, coral or
shell carved to create a raised, often figural design. Molded
stones in lucite or glass with figural designs are also commonly
referred to as cameos. |
cannetile |
Decorative technique
using metal wire twisted into intricate designs, frequently rosettes or
spirals for a raised design; popular in the 19th century. |
champlevé |
Enameling in the
sections created by carving or cutting into the metal base. |
channel setting |
A row of stones,
square or baguette, set into a continuous channel or groove. |
chatelaine |
Two brooches or
clips with connecting chains. Originally, a decorative brooch worn
at the waist and to which the lady of the manor attached useful items
such as keys, watch, coin purse, etc. |
chaton |
Round rhinestone cut
with 9 to 12 facets surrounding the table and a pointed back. |
choker |
A necklace that fits
close to the neck, usually about 15" in length. |
cloisonné |
Enamel application
where the sections between decorative wire framing is filled with the
enameling glass. |
cold
enamel |
Painted enamel
applied to the metal findings in jewelry to resemble true enameling. |
collet
setting |
A setting in which
the stone is held in a circular flange of metal. |
coralene |
A surface finish
found in glass or beads with a texture created by the application of
tiny glass balls. |
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D |
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déposé |
French for
"registered" and marked on jewelry from, or imported into, France. |
dog
collar |
A wide necklace worn
tightly around the neck, often composed of multiple strands of beads or
rhinestones. |
dress
clip |
A piece of jewelry
which is like a brooch but with a hinged, usually triangular, clasp on
the back. Popular in the 1920s-1930s, they were worn at the
neckline. |
drop |
A suspended stone or
ornament. Also used to describe the width of a dangling necklace
at the center front. |
duette |
A combination piece
with two dress clips attached to a brooch frame so they may be worn as a
brooch or separately as clips. The name originated from Coro
Duette pieces but has come to be used generically. |
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E |
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embossed |
See repoussé. |
enamel |
Glass, transparent
or opaque, applied to metal and fused with high heat. |
engraved |
Decorated by cutting
or etching a design into the metal. |
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F |
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faux |
From the French:
false or simulated. |
findings |
The functional metal
parts of jewelry including settings, clasps, rings, etc. |
figural |
A jewelry piece
depicting natural fauna such as a person, animal or bird, as opposed to
a floral or abstract theme. |
filigree |
Lacy, intricate and
open decorative work created by twisted metal scroll work. |
Florentine finish |
Metal finish
featuring a textured, brushed surface. |
French
jet |
Black glass stones
used to simulate genuine jet. |
fruit
salad |
Descriptive term for
stones or jewelry containing stones which are molded in the shapes of
fruit and/or leaves. These pieces simulate the carved stone pieces
introduced by Cartier in the late 1930s and feature gemstone colors such
as emerald green, ruby red, sapphire blue or moonstone. |
fur
clip |
A large decorative
brooch used to hold a fur stole together and featuring a spring clasp
and either two sharp prongs or large sharp teeth to secure it to the
pelt. |
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G |
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givré |
Rhinestone effect in
which a section or swirl of opaque color, usually white, is contained in
the transparent stone. |
gold
filled |
Base metal
sandwiched between layers of gold. In the US the gold layer must
be at least 1/20th of the total weight and is marked: g.f. |
gold
wash |
A thin coating of
gold over base metal. |
guilloché |
Translucent
enameling over an engraved design on the underlying metal. |
gunmetal |
Description of a
metal finish that is a dark bluish gray color. |
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H |
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hallmark |
The mark stamped on
the back of jewelry indicating the fineness or purity of the metal
content. e.g. 925 for sterling silver. |
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I |
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intaglio |
An engraved stone,
the opposite of a cameo, with a recessed design carved into the surface. |
invisible setting |
Technique by which
stones, real or simulated, are attached from the back so they appear to
have no mounting. |
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J |
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japanned |
Black enameled
finish of the metal findings of a piece. |
jelly
belly |
Description of
jewelry containing a large unfaceted stone made of Lucite. Popular
in the 1940s, many of these pieces were whimsical creatures with the
stone forming the belly of the figure. |
jet |
Fossilized coal used
in Victorian mourning jewelry in the late 1800s. |
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K |
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keystones |
Rhinestones with a
trapezoid shape; a tapered baguette with one end longer than the other.
(Named for the keystone blocks used in arches in masonry.) |
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L |
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lariat |
A long necklace
without a clasp that is knotted, looped or held together with a ring. |
lavaliere |
A necklace with a
single design element or pendant suspended on a chain. Popular in
the early 1900s. |
Lucite |
An acrylic
thermoplastic patented by DuPont in 1937. |
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M |
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marcasite |
Iron pyrite crystal
cut to look like diamonds. They were popular in the 1920s-1930s,
usually set in sterling silver. |
marriage |
A combination of
elements in one piece of jewelry where the components are from different
sources, not as originally made. |
molded glass |
Stones created in a
mold to give a fancy shape, e.g. moon rock, fruit salad or flower
petal. Molded stones are then set into the jewelry findings with
prongs or glue. |
N |
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navette |
An oval rhinestone
with pointed ends, known as a marquise cut in gemstones. |
négligée |
A necklace with two
pendant drops suspended unevenly. |
nodder |
See trembler. |
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O |
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open
backed |
Describes a setting
with no backing, allowing light to pass through the stone. |
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P |
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parure |
A matched set or
suite of three or more pieces of jewelry such as necklace, bracelet and
earrings. |
patina |
A change in color of
a metal surface through exposure to air over a period of time,
especially seen with silver, copper and bronze. |
pavé |
The setting of many
small stones so that the piece is literally paved in stones. |
plique-à-jour |
Fired enameling
technique resulting in the piece having translucent enamel in a
framework resembling stained glass. |
pot
metal |
A silvertone alloy
of tin, cadmium, lead and zinc, also known as base metal or white metal. |
poured glass |
Molten glass is
actually poured into the jewelry finding or frame itself to create the
stone. You can often see a bit of slop over on the back of the piece,
indicating it was directly poured rather than molded and then set. |
prong
set |
Method of setting
stones using claw-like prongs. |
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Q |
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quatrefoil |
Decorative element
having four lobes. |
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R |
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repoussé |
Design in metal
created in relief by hand using a punch or hammer from the back. |
rhinestone |
Simulated gemstone
made of glass or crystal, often with a foiled backing for increased
reflectivity. |
rhodium |
A silvery gray metal
of the platinum family. It's durability and luster make it
desirable for plating costume jewelry settings. |
rolled
gold |
Gold plating that is
laminated or rolled onto a base metal. |
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S |
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sautoir |
A long necklace of
beads or chains often ending in a tassel. Popular in the 1920s. |
screwback |
Earring mechanism
with an adjustable screw to tighten it to the ear lobe. |
sterling |
An alloy of silver
that is 925 parts pure silver and 75 parts copper, thereby increasing
the strength of the silver. |
swedging |
Construction
technique using small rivets to join metal components. |
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T |
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table |
The top facet or
surface of a cut gemstone or rhinestone. |
torsade |
A necklace with
multiple strands of beads twisted together. |
trembler |
A design element
which is attached to the piece on a tiny spring so that it trembles with
movement. From the French tremblant; also known as "nodders". |
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U |
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unfoiled stone |
Rhinestone with no
foil backing, usually used in an open setting. |
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V |
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verdigris |
Green corrosion
deposited on metals such as copper, brass or bronze. |
vermeil |
Sterling silver
plated with gold, also called silver gilt. Used in the 1940s when
base metals were not available for jewelry making. |
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W |
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watch
pin |
A small brooch with
a hook at the bottom for suspending a small watch. |
white
metal |
A silvertone alloy
of tin, cadmium, lead and zinc, also known as base metal or pot metal. |
wirework |
Twisted wire
decoration applied to metal ground. |
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XYZ |
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ziggurat |
Stepped triangle or
pyramid shape. |
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References |
|
Costume Jewelry (3rd Ed)
Harrice Simons
Miller
Costume Jewelry (Collector's Guide)
Judith Miller
Signed
Beauties of Costume Jewelry
Marcia
Brown
Warman's Jewelry (2nd Ed)
Christie
Romero |
|
Collectible Silver Jewelry
Fred Rezazadeh
Collectible Costume Jewelry
Cherri Simonds
Unsigned Beauties of Costume Jewelry
Marcia Brown
Merriam-Webster Dictionary Online |
And, of course,
years of personal experience. |
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